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Fault Line Study
25.5” x 8.75” x 1.75”
On display and available for purchase at Boothbay Region Art Foundation, Boothbay Harbor, ME
Crackled paper and looping copper trace the layered aftermath of tension—mapping both natural fault lines and human vulnerability. Text and terrain blend into a landscape of shifting structure and memory.
25.5” x 8.75” x 1.75”
On display and available for purchase at Boothbay Region Art Foundation, Boothbay Harbor, ME
Crackled paper and looping copper trace the layered aftermath of tension—mapping both natural fault lines and human vulnerability. Text and terrain blend into a landscape of shifting structure and memory.
25.5” x 8.75” x 1.75”
On display and available for purchase at Boothbay Region Art Foundation, Boothbay Harbor, ME
Crackled paper and looping copper trace the layered aftermath of tension—mapping both natural fault lines and human vulnerability. Text and terrain blend into a landscape of shifting structure and memory.
Materials List:
Copper electrical wire (repurposed)
Vintage book or sheet music text fragments
Printed mountain imagery
Plywood panels
Tissue paper, glued and sanded
Acrylic paint, matte medium
Found wood for frame
“Fault Line Study” presents a terrain under quiet strain—where printed text and fractured imagery form a visual geography of tension and release. Arcs of copper wire cut across sedimented layers of paper and ink, suggesting movement below the surface. The work invites contemplation of the unseen boundaries—those beneath the earth and within ourselves—that shift, splinter, and ultimately shape the visible world.