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9.5” x 9.5” x 1.5”
You must go around it. In The Great Boyg, a half-hidden figure waits beneath bark and moss—visible only through a lens. Inspired by Ibsen’s unnamable force, this assemblage invites you into a forested puzzle of presence and perception. Is the Boyg a monster, a memory, or a mirror?
9.5” x 9.5” x 1.5”
You must go around it. In The Great Boyg, a half-hidden figure waits beneath bark and moss—visible only through a lens. Inspired by Ibsen’s unnamable force, this assemblage invites you into a forested puzzle of presence and perception. Is the Boyg a monster, a memory, or a mirror?
9.5” x 9.5” x 1.5”
You must go around it. In The Great Boyg, a half-hidden figure waits beneath bark and moss—visible only through a lens. Inspired by Ibsen’s unnamable force, this assemblage invites you into a forested puzzle of presence and perception. Is the Boyg a monster, a memory, or a mirror?
Materials List:
Natural bark and lichen
Preserved moss
Dyed paper or painted panel (mimicking mycelial growth or cracked earth)
Brass-rimmed magnifying lens
Hidden photographic image of shadowy creature
Rustic wood frame with rope hanger
Rope accent
Shadowbox construction with natural and photographic layering
At first glance, The Great Boyg offers only texture and suggestion: bark, moss, and a veined surface like an ancient forest floor. But peer through the brass-rimmed lens, and a figure begins to emerge—blurred, almost spectral. Is it the Boyg itself? Ibsen’s amorphous, ungraspable force takes visual form here as a creature glimpsed but not fully revealed. The piece plays with concealment and revelation, nature and mythology, inviting viewers to see more the longer they look. It resists explanation—just as the Boyg always does.