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Kharris Brill | Assemblage Art | Commissions
Kharris Brill | Assemblage Art | Commissions
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Kharris Brill | Assemblage Art | Commissions
Kharris Brill | Assemblage Art | Commissions
Available Works
Portfolio
Commissions
About
Exhibitions
Newsletter
Contact
0
0
Available Works
Portfolio
Commissions
About
Exhibitions
Newsletter
Contact
Available Works Undertone
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Undertone

$325.00

13.5" x 6" x 2"

Currently on display and available for purchase at Harvest Gold Gallery, Lovell, ME

A collision of motion and memory, Undertone evokes the tension between external distraction and internal truth. Brightly colored discs spin above a ghostly anatomical trace—suggesting that every vibrant life carries with it a quiet echo beneath.

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13.5" x 6" x 2"

Currently on display and available for purchase at Harvest Gold Gallery, Lovell, ME

A collision of motion and memory, Undertone evokes the tension between external distraction and internal truth. Brightly colored discs spin above a ghostly anatomical trace—suggesting that every vibrant life carries with it a quiet echo beneath.

13.5" x 6" x 2"

Currently on display and available for purchase at Harvest Gold Gallery, Lovell, ME

A collision of motion and memory, Undertone evokes the tension between external distraction and internal truth. Brightly colored discs spin above a ghostly anatomical trace—suggesting that every vibrant life carries with it a quiet echo beneath.

Materials List:

  • Weathered wood frame

  • Dyed wood circles

  • Assorted metal gears and cogs

  • Clock mechanism fragments

  • Industrial washers and bolts

  • Brass rods and spacers

  • Vintage skeleton etching on aged paper

  • Keys and mechanical fittings

  • Rusted screws and fasteners

Undertone is a study in visual duality—an assemblage that contrasts vivid, textured circles and mechanical gears with a haunting skeletal etching below. The upper composition explodes with overlapping discs of dyed wood, industrial washers, and vintage clock gears, resembling a diagram of kinetic thought or unraveling machinery. In the lower half, an anatomical skeleton etched into a worn substrate is partially obscured by hanging brass rods, keys, and fittings—an afterimage of the structure beneath the noise. The two sections are visually and thematically tethered: motion and stillness, surface and root, presence and echo.

Kharris B

© KHARRIS B CREATIVE STUDIO

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